Thursday, February 14, 2008

Atonement - Ian McEwan

"But hidden drawers, lockable diaries, and cryptographic systems could not conceal from Briony the simple truth: She had no secrets. Her wish for a harmonious, organized world denied her the reckless possibilities of wrongdoing. Mayhem and destruction were too chaotic for her tastes, and she did not have it in her to be cruel. ... Nothing in her life was sufficiently interesting or shameful to merit hiding; no one knew about the squirrel's skull beneath her bed, but no one wanted to know." (p.5)

"She raised one hand and flexed its fingers and wondered, as she had sometimes before, how this thing, this machine for gripping, this fleshy spider on the end of her arm, came to be hers, entirely at her command. Or did it have some little life of its own? She bent her finger and straightened it. The mystery was in the instant before it moved, the dividing moment between not moving and moving, when her intention took effect. It was like a wave breaking. If she could only find herself at the crest, she thought, she might find the secret of herself, that part of her that was really in charge." (p.33)

"Cecilia wondered, as she sometimes did when she met a man for the first time, if this was the one she was going to marry, and whether it was this particular moment she would remember for the rest of her life - with gratitude, or profound and particular regret." (p. 44)

"The cost of oblivious daydreaming was always this moment of return, the realignment with what had been before and now seemed a little worse. Her reverie, once rich in plausible details, had become a passing silliness before the hard mass of the actual. It was difficult to come back." (p. 72)

"Willing himself not to, he raised the book to his nostrils and inhaled. Dust, old paper, the scent of soap on his hands, but nothing of her. How had it crept up on him, this advanced stage of fetishizing the love object? ... He had spent three years drily studying the symptoms, which had seemed no more than literary conventions, and now, in solitude, like some ruffed and plumed courtier come to the edge of the forest to contemplate a discarded token, he was worshiping her traces - not a handkerchief, but fingerprints! - while he languished in his lady's scorn." (p. 79)

"The anticipation and dread he felt at seeing her was also a kind of sensual pleasure, and surrounding it, like an embrace, was a general elation - it might hurt, it was horribly inconvenient, no good might come of it, but he had found out for himself what it was to be in love, and it thrilled him." (p. 85)

"But how to do feelings? All very well to write, She felt sad, or describe what a sad person might do, but what of sadness itself, how was that put across so it could be felt in all its lowering immediacy? Even harder was the threat, or the confusion of feeling contradictory things." (p. 109)

"They were beyond the present, outside time, with no memories and no future. There was nothing but obliterating sensation, thrilling and swelling, and the sound of fabric on fabric and skin on fabric as their limbs slid across each other in this restless, sensuous wrestling. ... They moved closer, deeper and then, for seconds on end, everything stopped. Instead of an ecstatic frenzy, there was stillness. They were stilled not by the astonishing fact of arrival, but by an awed sense of return - they were face to face in the gloom, staring into what little they could see of each other's eyes, and now it was the impersonal that dropped away." (p. 128)

"Nothing as singular or as important had happened since the day of his birth. She returned his gaze, struck by the sense of her own transformation, and overwhelmed by the beauty in a face which a lifetime's habit had taught her to ignore. She whispered his name with the deliberation of a child trying out the distinct sounds. When he replied with her name, it sounded like a new word - the syllables remained the same, the meaning was different. Finally he spoke the three simple words that no amount of bad art or bad faith can ever quite cheapen. She repeated them, with exactly the same emphasis on the second word, as if she had been the one to say them first. He had no religious belief, but it was impossible not to think of an invisible presence or witness in the room, and that these words spoken aloud were like signatures on an unseen contract." (p. 129)

"No one else knew she had a knack of keeping still, without even a book on her lap, of moving gently through her thoughts, as one might explore a new garden. ... Fretting, concerned thought, reading, looking, wanting - all were to be avoided in favor of a slow drift of association, while the minutes accumulated like banked snow and the silence deepened around her." (p.141)

"Periodically, something slipped. Some everyday principle of continuity, the humdrum element that told him where he was in his own story, faded from his use, abandoning him to a waking dream in which there were thoughts, but no sense of who was having them. No responsibility, no memory of the hours before, no idea of what he was about, where he was going, what his plan was. And no curiosity about these matters." (p. 232)

"He laughed politely, though he must have thought me profoundly stupid. It is quite impossible these days to assume anything about people's educational level from the way they talk or dress or from their taste in music. Safest to treat everyone you meet as a distinguished intellectual." (p. 342)

1 comment:

Little Miss Sunshine. said...

Atonement is my favorite quote of all time...i could read it over and over. :)