Saturday, November 15, 2008

Misc. - Not From A Book

"I am constantly searching for two things: Love and Truth. But I am not willing to compromise either because one is nothing without the other." -Najva S.

"And then what sustains our relationship is I’m extremely happy with her, and part of it has to do with the fact that she is at once completely familiar to me, so that I can be myself and she knows me very well and I trust her completely, but at the same time she is also a complete mystery to me in some ways. And there are times when we are lying in bed and I look over and sort of have a start. Because I realize here is this other person who is separate and different and has different memories and backgrounds and thoughts and feelings. It’s that tension between familiarity and mystery that makes for something strong, because, even as you build a life of trust and comfort and mutual support, you retain some sense of surprise or wonder about the other person." - Barack Obama (http://www.newyorker.com/reporting/2009/01/19/090119fa_fact_cook)

“the only people for me are the mad ones, the ones who are mad to live, mad to talk, mad to be saved, desirous of everything at the same time, the ones who never yawn or say a commonplace thing, but burn, burn, burn like fabulous yellow roman candles exploding like spiders across the stars and in the middle you see the blue centerlight pop and everybody goes ‘Awww!’” Kerouac, On the Road

Monday, October 13, 2008

I'll Take You There - Joyce Carol Oates

"I baptize thee in the name of ceaseless yearning, ceaseless seeking and ceaseless dissatisfaction. Amen!" (p. 9)

"In my pride I was hurt; I understood that I would be banished from a glamorous world in which in fact I took no interest; that I would be banished was a spur to my desire." (p. 40)

"I had decided that life is probably mostly a matter of memorized words in sequence; words, gestures, smiles and handshakes, in a certain sequence; life is not as the great philosophers taught in their loneliness, not a matter of essences pared back to theorems, propositions, syllogisms and conclusions, but instead a mtter of mouthing the correct word-formulae in the correct setting. Maybe it wasn't so serious, after all: life? Maybe it wasn't worth dying for." (p. 84)

"..he was still youngish, though with thinning hair and downturned eyes and the disfigured hand; unshaven, in an undershirt and soiled work trousers; elbows on the faded oilcloth, a bottle of whisky and a glass beside him; a Camel burning in his stained fingers; the overhead light casting crevice-like shadows downward onto his brooding yet somehow peaceful face. I saw that Where he is, no one can follow. And there was a kind of peace, too, in this realization." (p. 91)

"There can be no beauty here, therefore no hurt and no hope." (p. 99)

"... I did not yet understand that I was in love; I'd fallen in love with a man I did not know; with a man's mere voice; and that love is a kind of illness; not a radiant idea as I'd imagined but a physical condition, like grief." (p. 105)

"... never can we anticipate being older than we are, or wiser; if we're exhausted, it's impossible to anticipate being strong; as, in the grip of a dream, we rarely understand that we're dreaming, and will escape by the simplest of methods, opening our eyes." (p. 106)

"I learned that the male is all eyes; his sexuality is fueled through the eyes; he assesses through the eyes; judges swiftly and without mercy through the eyes." (p. 109)

"For whom we love helplessly we love, too, to betray: any connection is thrilling." (p. 120)

"My so-called personality had always been a costume I put on fumblingly, and removed with vague perplexed fingers; it shifted depending on circumstances, like unfastened cargo in the hold of a ship." (p. 129)

"Yes but I love you, nothing can shame me." (p. 157)

"Trying to imagine my life without Vernor Matheius at its center. My life without loving him.
A hole in the heart through which the bleak cold of the universe might whistle through." (p. 182)

"I came to believe that the unexamined life, the life that's led without continuous self-scrutiny, and a doubting of all inherited prejudice, bias, "faith", was madness. In our civilized lives we are surrounded by madness while believing ourselves enlightened." (p. 182)

"... waiting for Death for take another, as in a herd of beasts terrorized by predators there must be the single instinct-wish Take another! take another and not me! This was the secret of which adults would not speak; this was a secret known by children, and forgotten by adults; a secret of which the great philosophers would not speak because it is so stark, so simple; a secret lacking revelation." (p. 203)

"... to hurt oneself sometimes is a balm; to hurt onself sometimes is the only way of healing" (p. 235)

Wednesday, October 1, 2008

The Inferno - Dante Alighieri (trans. John Ciardi)

"Your soul is sunken in that cowardice/that bears down many men, turning their course/and resolution by imagined perils,/as his own shadow turns the frightened horse." (Canto II, p. 25)

"I AM THE WAY INTO THE CITY OF WOE.
I AM THE WAY TO A FORSAKEN PEOPLE.
I AM THE WAY INTO ETERNAL SORRY.
SACRED JUSTICE MOVED MY ARCHITECT.
I WAS RAISED HERE BY DIVINE OMNIPOTENCE,
PRIMORDIAL LOVE AND ULTIMATE INTELLECT." (Canto III, p. 30)

"'The double grief of a lost bliss/is to recall its happy hour in pain.'" (Canto V, p. 50)

"'Sullen were we in the air made sweet by the Sun;/in the glory of his shining our hearts poured/a bitter smoke...'" (Canto VII, p. 64)

"'O sun which clears all mists from troubled sight,/such joy attends your rising that I feel/as grateful to the dark as to the light." (Canto XI, p. 92)

"Those three sad spirits looked at one another/like men who hear the truth and understand." (Canto XVI, p. 129)

"'The man who lies asleep/will never waken fame, and his desire/and all his life drift past him like a dream,/and the traces of his memory fade from time/like smoke in air, or ripples on a stream." (Canto XXIV, p. 190)

"A man prepared is a man hurt by delay." (Canto XXVIII, p. 221)

Sunday, August 31, 2008

Dr. Zhivago - Boris Pasternak

"Every motion in the world taken separately was calculated and purposeful, but, taken together, they were spontaneously intoxicated with the general stream of life which united them all. .. This freedom came from the feeling that all human lives were interrelated, a certainty that they flowed into each - a happy feeling that all events took place not only on the earth, in which the dead are buried, but also in some other region which some called the Kingdom of God, others history, and still others by some other name." (p. 13)

"When they jumped out onto the track and picked flowers or took a short walk to stretch their legs, they felt as if the whole place owed its existence to the accident, and that without it neither the swampy meadow with hillocks, the broad river, nor the fine house and church on the steep opposite side would have been there. Even the diffident evening sun seemed to be a purely local feature." (p. 15)

"'How wonderful to be alive,' he thought. 'But why does it always hurt?'" (p. 17)

"'And why is it,' thought Lara, 'that my fate is to see everything and take it all so much to heart?'" (p. 24)

"Nothing equalled her spiritual beauty. Her hands were stunning like a sublime idea. Her shadow on the wall of the hotel room was like the outline of her innocence. ... 'Lara,' he whispered, shutting his eyes, and he had a vision of her head resting on his hands; her eyes were closed, she was asleep, unconscious that he watched her sleeplessly for hours on end. Her hair was scattered and its beauty stung his eyes like smoke and ate into his heart." (p.46)

"And it is this that makes the whole of life so terrifying. Does it crush you by thunder and lightning? No, by oblique glances and whispered calumny. It is all treachery and ambiguity. Any single thread is as fragile as a cobweb, but just try to pull yourself out of the net, you only become more entangled.
And the strong are dominated by the weak and the ignoble." (p. 48)

"He was so childishly simple that he did not conceal his joy at seeing her, as if she were some summer landscape of birch trees, grass, and clouds, and could freely express his enthusiasm about her without any risk of being laughed at." (p. 50)

"And now listen carefully. You in others - this is your soul. This is what you are. This is what your consciousness has breathed and lived on and enjoyed throughout your life - your soul, your immortality, your life in others. And what now? You have always been in others and you will remain in others. And what does it matter to you if later on that is called your memory? This will be you - the you that enters the future and becomes a part of it.
And now one last point. There is nothing to fear. There is no such thing as death. Death has nothing to do with us." (p. 68)

"He rebelled against the motherly feeling that all her life had been a part of her affection for him and could not see that such a love was something more, not less, than the ordinary feeling of a woman for a man" (p. 109)

"How I wish your face to say that you are happy with your fate and that you need nothing from anyone. If only someone who is really close to you, your friend or your husband - best of all if he were a soldier - would take me by the hand and tell me to stop worrying about your fate and not to weary you with my attentions. But I'd wrest my hand free and take a swing... " (p. 147)

"And so it turned out that only a life similar to the life of those around us, merging with it without a ripple, is genuine life, and that an unshared happiness is not happiness" (p. 175)

"What is truly great is without beginning, like the universe. It confronts us as suddenly as it if had always been there or had dropped out of the blue." (p. 182)

"In some inexplicable way it was clear at once that this man was entirely a manifestation of the will. So completely was he the self he resolved to be that everything about him seemed inevitable, exact, perfect - his well-proportioned, handsomely set head, his impetuous step, his long legs, his knee boots which may well have been muddy but looked polished, and his gray serge tunic which may have been creased but looked as if it were made of the best linen and had just been pressed.
Such was the irresistible effect of his brilliance, his unaffected ease, and his sense of being at home in any conceivable situation on earth." (p. 248)

"Filled with the loftiest aspirations from his childhood, he had looked upon the world as a vast arena where everyone competed for perfection, keeping scrupulously to the rules. When he found that this was not so, it did not occur to him that his conception of the world order might have been oversimplified. He nursed his grievance and with it the ambition to judge between life and the dark forces that distorted it, and to be life's champion and avenger." (p. 251)

Monday, August 4, 2008

No one belongs here more than you. Stories by Miranda July

"Did you ever really love her?
Not really, no.
But me?
Yes.
Even though I have no pizzazz?
What are you talking about, you perfect thing.
You can see that I'm perfect?" (p.8)

"It doesn't really feel like driving when you don't know where you're going. There should be an option on the car for driving in place, like treading water. Or at least a light that shines between the brake lights that you can turn on to indicate you have no destination. I felt like I was fooling the other drivers and I just wanted to come clean." (p. 110)

"Our old affair was so easy, it was the dream that lovers have of consuming each other entirely." (p. 123)

"I don't believe in psychology, which says that everything you do is because of yourself. That is so untrue. We are social animals, and everything we do is because of other people, because we love them, or because we don't." (p. 134)

"When she saw my messy desk, she said she was the same way, and there was no dust on the TV, and I was easy to love. People just need a little help because they are so used to not loving. It's like scoring the clay to make another piece of clay stick to it." (p. 138)

Run - Ann Patchett

"'I said it then, and I say now, that while there is a lower class, I am in it, while there is a criminal element, I am of it, and while there is a soul in prison, I am not free.. '" (p. 130) quoting speech by Eugene V. Debs

"In suggesting that there may be nothing ahead of them, he in no way meant to diminish the future; instead, Father Sullivan hoped to elevate the present to a state of the divine. ... How wrongheaded it seemed now to think that the thrill of heartbeat and breath were just a stepping stone to something greater. What could be greater than the armchair, the window, the snow? Life itself had been holy." (p.131)

"He didn't think the whole story could possibly take more than ten minutes start to finish, and yet to live it, to actually be a part of its playing out, was an excruciating investment of time." (p. 255)

Wednesday, May 21, 2008

Life of Pi - Yann Martel

"The reason death sticks so closely to life isn't biological necessity - it's envy. Life is so beautiful that death has fallen in love with it, a jealous, possessive love that grabs at what it can." (p. 6)

"I have nothing to say of my working life, only that a tie is a noose, and inverted though it is, it will hang a man nonetheless if he's not careful." (p. 6)

"If Christ spent an anguished night in prayer, if He burst out from the cross 'My God, my God, why have you forsaken me?' then surely we are also permitted doubt. But we must move on. To choose doubt as a philosophy of life is akin to choosing immobility as a means of transportation." (p. 28)

"Whatever the reason for wanting to escape, sane or insane, zoo detractors should realize that animals don't escape to somewhere but from something." (p. 41)

"Blue, green, red, gold and violet flickered and shimmered neon-like on its surface as it struggled. I felt I was beating a rainbow to death." (p. 185)

"I did not count the days or the weeks or the months. Time is an illusion that only makes us pant. I survived because I forgot even the very notion of time." (p. 192)

"What a terrible thing it is to botch a farewell. ... It's important in life to conclude things properly. Only then can you let go. Otherwise you are left with words you should have said but never did, and your heart is heavy with remorse." (p. 285)

"'If you stumble at mere believability, what are you living for? Isn't love hard to believe? ... Love is hard to believe, ask any lover. Life is hard to believe, ask any scientist. God is hard to believe, ask any believer.'" (p. 297)

"'Tigers exist, lifeboats exists, oceans exist. Because the three have never come together in your narrow, limited experience, you refuse to believe that they might. Yet the plain fact is that the Tsimtsum brought them together and then sank.'" (p. 299)

"You want a story that won't surprise you. That will confirm what you already know. That won't make you see any higher or further or differently. You want a flat story. An immobile story. You want dry, yeastless factuality." (p. 302)

Dress Your Family in Corduroy and Denim - David Sedaris

"She laughed and swatted him with a towel, and we witnessed what we would later come to recognize as the rejuvenating power of real estate. It's what fortunate couples turn to when their sex life has faded and they're too pious for affairs. A second car might bring people together for a week or two, but a second home can revitalize a marriage for up to nine months after the closing." (p. 23)

"I myself was not a member of my school's popular crowd, but I recall thinking that, whoever they were, Janet's popular crowd couldn't begin to compete with ours. But what if I was wrong? What if I'd wasted my entire life comparing myself with people who didn't really matter? Try as I might, I still can't wrap my mind around it." (p. 43)

"Looking back, I should have known better than to accompany Hugh to a love story. Such movies are always a danger as, unlike battling aliens or going undercover to track down a serial killer, falling in love is something most adults have actually experienced at some point in their lives. The theme is universal and encourages the viewer to make a number of unhealthy comparisons, ultimately raising the question "Why can't our lives be like that?" It's a box best left unopened, and it's avoidance explains the continued popularity of vampire epics and martial arts extravaganzas." (p. 138)

"Call me unimaginative, but I still can't think of anyone else I'd rather be with. On our worst days, I figure things will work themselves out. Otherwise, I really don't give our problems much thought." (p. 139)

"What more could he want? It was an incredibly stupid question and when he failed to answer, I was reminded of just how lucky I truly am. ... Real love amounts to withholding the truth, even when you're offered the opportunity to hurt someone's feelings." (p. 140)

"Photography interested her, so she taught herself to use a camera, ultimately landing a job in the photo department of a large international drug company, where she took pictures of germs, viruses, and people reacting to germs and viruses. On weekends, for extra money, she photographed weddings, which really wasn't that much of a stretch." (p. 145)

"I ask about guns not because I want one of my own but because the answers vary so widely from state to state. In a country that's become increasingly homogeneous, I'm reassured by these last charming touches of regionalism." (p. 158)

re: Christmas stories
"A Dutch parent has a decidedly hairier story to relate, telling his children, 'Listen, you might want to pack a few of your things together before going to bed. The former bishop of Turkey will be coming tonight along with six to eight black men. They might put some candy in your shoes, they might stuff you into a sack and take you to Spain, or they might just pretend to kick you. We don't know for sure, but we want you to be prepared.'" (p. 163)

"I can't seem to fathom that the things important to me are not important to other people as well, and so I come off sounding like a missionary, someone whose job is to convert rather than listen. ... It's not that I don't like her - far from it - I just worry that, without a regular job and the proper linoleum, she'll fall through a crack and disappear to a place where we can't find her." (p. 203)

"That's the problem with wishes, they ensnare you." (p. 209)

"I could have asked for one at the front desk, but I didn't want a lightbulb. I just wanted to feel put-upon." (p. 211)

"'So it was inflatable?' The guests laughed at Hugh's little joke, and I took a moment to think the worse of them. An inflatable hand is preposterous and not worth imagining. Couldn't they see that?" (p. 226)

"People who are competing for the titles of best-loved aunts and uncles ... send satin pants and delicate hand-crafted sweaters accompanied by notes reading 'P.S. The fur collar is detachable.' The baby is photographed in each new outfit, and I receive pictures almost daily. In them my brother and his wife look not like parents but like backwoods kidnappers, secretly guarding the heiress to a substantial cashmere fortune." (p. 242)

"'Hyaa!' I yell. 'Hyaa. Hyaa!" It's the sound my father makes when entering his toolshed, the cry of cowboys as they round up dogies, and it suggests a certain degree of authority." (p. 251)

Tuesday, May 13, 2008

Water for Elephants - Sara Gruen

"Age is a terrible thief. Just when you're getting the hang of life, it knocks your legs out from under you and stoops your back. It makes you ache and muddies your head and silently spreads cancer throughout your spouse." (p. 12)

"Although there are times I'd give anything to have her back, I'm glad she went first. Losing her was like being cleft down the middle. It was the moment it all ended for me, and I wouldn't have wanted her to go through that. Being the survivor stinks." (p. 13)

"I cling to my anger with every ounce of humanity left in my ruined body, but it's no use. It slips away, like a wave from shore. I am pondering this sad fact when I realize the blackness of sleep is circling my head. It's been there awhile, biding it's time and growing closer with each revolution. I give up on rage, which at this point has become a formality, and make a mental note to get angry again in the morning. Then I let myself drift, because there's really no fighting it." (p. 69)

"We lean against the wall in silence, still holding hands. After about an hour she falls asleep, sliding down until her head rests on my shoulder. I remain awake, every fiber of my body aware of her proximity." (p. 253)

"She speaks without need or even room for response, so I simply hold her and stroke her hair. She talks of the pain, grief and horror of the past four years; of learning to cope with being the wife of a man so violent and unpredictable his touch made her skin crawl and of thinking, until quite recently, that she'd finally managed to do that. And then, finally, of how my appearance had forced her to realize she hadn't learned to cope at all." (p. 272)

"Afterwards, she lies nestled against me, her hair tickling my face. I stroke her lightly, memorizing her body. I want her to melt into me, like butter on toast. I want to absorb her and walk around for the rest of my days with her encased in my skin.
I want.
I lie motionless, savoring the feeling of her body against mine. I'm afraid to breathe in case I break the spell." (p. 273)

"Even so, I wonder whether our affair isn't obvious. It seems to me that the bonds between us must be visible." (p. 280)

"With a secret like that, at some point the secret itself becomes irrelevant. The fact that you kept it does not." (p. 327)

Wednesday, February 20, 2008

The Death of Ivan Ilych and Other Stories - Tolstoy

From "Family Happiness" -

"In the morning we were cheerful, at dinner polite, in the evening tender. 'Good!...' I said to myself, 'that's all very well, to do good and lead an upright life, as he says, but we've plenty of time for that, and there is something else for which I only have the energy now.' That was not what I needed, I needed strife; I wanted feeling to guide us in life, and not life to be the guide to feeling. I longed to go with him to the edge of a precipice and to say 'Another step, and I fling myself down! another movement and I am lost!' and for him, pale at the edge of the abyss, to snatch me up in his strong arms, hold me over it, so that my heart would stand still, and bear me away whither he would." (p.51)

"'What are you whispering today?' I asked.
He stopped, thought a little, and with a smile quoted the two lines of Lermontov -

'And in his madness prays for storms,
As though in storms he might find peace'"
(p. 55)

From "The Kreutzer Sonata"

"'No, I am speaking about the same thing, about the preference that one man or one woman has for one person above all others, and I simply ask, 'How long is this preference to last?''
'How long? why, sometimes it lasts a whole lifetime,' said the lady, shrugging her shoulders.
'Yes, but that is true only in novels, but never in real life. In real life this preference for one person rather than another may occasionally last for a year, more frequently it is measured by months, or even by weeks or days or hours,' said he, evidently knowing that he was surprising every one by his opinion, and well satisfied with it. ...
'Yes, I know,' ... 'You are speaking of what is supposed to exist, but I am speaking of what does exist. For every man feels for every pretty woman what you call love.'"
(p. 154)

"'Depravity does not lie in anything physical; depravity does not imply any physical deformity; depravity, genuine depravity, consist in freeing oneself from the moral relations to women with whom you enter into physical relations. And this emancipation I arrogated to myself as a virtue.'" (p. 158)

"'It is a marvelous thing how full of illusion is the notion that beauty is an advantage. A beautiful woman says all sorts of foolishness, you listen and you do not hear any foolishness, but what you hear seems to you wisdom itself. She says and does vulgar things, and to you it seems lovely. Even when she does not say stupid or vulgar things, but it simply beautiful, you are convinced that she is miraculously wise and moral.'"
(p. 163)

..tbc...

Thursday, February 14, 2008

100 Years of Solitude - Gabriel Garcia Marquez

"During the day, lying down to dream, he would secretly enjoy the memories of the night before ... he did not have to hide his tension, because that woman ... had nothing to do with the invisible power that taught him to breathe from within and control his own heartbeats, and that had permitted him to understand why men are afraid of death." (p. 29)

"'If I have to be something, I'll be a liberal,' he said, 'because conservatives are tricky." (p. 100)

"They enjoyed the miracle of loving each other as much at the table as in bed." (p. 345)

"A great commotion immobilized her in her center of gravity ... her defensive will was demolished by the irresistible anxiety to discover what the orange whistles and the invisible globes on the other side of death were like." (p. 403)

"Races condemned to one hundred years of solitude did not have a second opportunity on Earth." (last page)

Anna Karenina - Tolstoy

"He could not have been mistaken. There were no other eyes in the world like those. There was no other being in the world capable of concentrating for him all the light and meaning of life. It was she. It was Kitty. He realized that she was driving to Yergushovo from the railway station. And all that had troubled Levin during that sleepless night, all the decisions he had taken, all of it suddenly vanished. He recalled with disgust his dreams of marrying a peasant woman. There, in that carriage quickly moving away and bearing to the other side of the road, was the only possibility of resolving the riddle of his life that had been weighing on him so painfully of late."
(p. 277)

"She loved him for himself and for his love of her. To possess him fully was a constant joy for her. His nearness was always pleasing to her. All the traits of his character, which she was coming to know more and more, were inexpressibly dear to her. ... Her admiration for him often frightened her: she sought and failed to find anything not beautiful in him. She did not dare show him her awareness of her own nullity before him. It seemed to her that if he knew it, he would stop loving her sooner; and she feared nothing so much now, though she had no reason for it, as losing his love." (p. 464)

"What he felt for this small being was not at all what he expected. There was nothing happy or joyful in this feeling; on the contrary, there was a new tormenting fear. There was an awareness of a new region of vulnerability. And this awareness was so tormenting at first, the fear lest this helpless being should suffer was so strong, that because of it he scarcely noticed the strange feeling of senseless joy and even pride he had experienced when the baby sneezed." (p. 719)

"But he needed only to go and stay for a while in Petersburg, in the circle to which he belonged, where people lived - precisely lived, and did not vegetate as in Moscow - and immediately all these thoughts vanished and melted away like wax before the face of fire. ...
Children? In Petersburg children did not hinder their father's life. Children were brought up in institutions, and there existed nothing like that wild idea spreading about Moscow ... that children should get all the luxuries of life and parents nothing but toil and care. Here they understood that a man is obliged to live for himself, as an educated person ought to live." (p. 729)

"Moreover, he felt vaguely that what he called his convictions were not only ignorance but were a way of thinking that made the knowledge he needed impossible.
...
The question for him consisted in the following: 'If I do not accept the answers that Christianity gives to the questions of my life, then which answers do I accept?' And nowhere in the whole arsenal of his convictions was he able to find, not only any answers, but anything resembling an answer.
He was in the position of a man looking for food in a toymaker's or a gunsmith's shop.
Involuntarily, unconsciously, he now sought in every book, in every conversation, in every person, a connection with these questions and their resolution.
What amazed and upset him most of all was that the majority of people his age and circle, who had replaced their former beliefs, as he had, with the same new beliefs as he had, did not see anything wrong with it and were perfectly calm and content. So that, besides the main question, Levin was tormented by other questions: Are these people sincere? Are they not pretending? Or do they not understand somehow differently, more clearly, than he the answers science gives to the questions that concerned him?" (p. 786)

"He felt something new in his soul and delightedly probed this new thing, not yet knowing what it was.
'To live not for one's own needs but for God. For what God? For God. And could anything more meaningless be said than what he said? He said one should not live for one's needs - that is, one should not live for what we understand, for what we're drawn to, for what we want - but for something incomprehensible, for God, whom no one can either comprehend or define.'" (p. 795)

Survivor - Chuck Palahniuk

"'You don't know exactly when the fuel will run out. There's always the chance you could die right in the middle of your life story.'
And I yelled, So what else is new?
And, Tell me something I don't know."
(p. 285)

"My parents bought me the first one to teach me about loving and caring for another living breathing creature of God. Six hundred and forty fish later, the only thing I know is everything you love will die. The first time you meet that someone special, you can count on them one day being dead and in the ground."
(p. 277)

"People used what they called a telephone because they hated being close together and they were too scared of being alone."
(p. 275)

"Their way, everything in your life turns into an item on a list. Something to accomplish. You get to see how your life looks flattened out.
The shortest distance between two points is a time line, a schedule, a map of your time, the itinerary for the rest of your life.
Nothing shows you the straight line from here to death like a list."
(p. 269)

"For tear stains in a pillow case, treat them the same way you would a perspiration stain. Dissolve five aspirin in water and daub the stain until it's gone. Even if there's a mascara stain, the problem's solved.
If you could call it solved."
(p. 263)

"The look I'm going for is natural. Real. The look I'm after is, raw material. Not desperate and needy, but ripe with potential. Not hungry. Sure, I want to look like I'm worth the effort. Washed but not ironed. Clean but not polished. Confident but humble.
Honest is how I want to look. The truth doesn't glitter and shine."
(p. 219)

"The truth is you can be orphaned again and again and again.
The truth is you will be.
And the secret is, this will hurt less and less each time until you can't feel a thing.
Trust me on this."
(p. 162)

"Everything the agent's been telling me makes perfect sense. For instance, if Jesus Christ had died in prison, with no one watching and with no one there to mourn or torture him, would we be saved?
With all due respect.
According to the agent, the biggest factor that makes you a saint is the amount of press coverage you get."
(p. 152)

"Around the one hundred and fifth floor, you can't believe you're the slave to this body, this big baby. You have to keep it fed and put it to bed and take it to the bathroom. You can't believe we haven't invented something better. Something not so needy. Not so time-consuming."
(p. 151)

"It's only in drugs and death we'll see anything new, and death is just too controlling"
(p. 151)

"Since change is constant, you wonder if people crave death because it's the only way they can get anything really finished."
(p. 150)

"The agent's yelling that no matter how great you look, your body is just something you wear to accept your academy award.
Your hand is just so you can hold your Nobel Prize.
Your lips are only there for you to air-kiss a talk show host.
And you might as well look great."
(p. 150)

"Reality means you live until you die," the agent says. "The real truth is nobody wants reality." (p. 142)

""We all watch the same television programs," the mouth says. "We all hear the same things on the radio, we all repeat the same talk to each other. There are no surprises left. There's just more of the same. Reruns."
Inside the hole, the red lips say, "We all grew up with the same television shows. It's like we all have the same artificial memory implants. We remember almost none of our real childhoods, but we remember everything that happened to sitcom families. We have the same basic goals. We all have the same fears."
...
"The big question people ask isn't 'What's the nature of existence?'" the mouth says. "The big question people ask is 'What's that from?'
(p. 111-110)

***i just noticed the pages are numbered backwards, so you know how many you have left instead of how far you've gone. interesting. especially since the whole book is about death.***

Atonement - Ian McEwan

"But hidden drawers, lockable diaries, and cryptographic systems could not conceal from Briony the simple truth: She had no secrets. Her wish for a harmonious, organized world denied her the reckless possibilities of wrongdoing. Mayhem and destruction were too chaotic for her tastes, and she did not have it in her to be cruel. ... Nothing in her life was sufficiently interesting or shameful to merit hiding; no one knew about the squirrel's skull beneath her bed, but no one wanted to know." (p.5)

"She raised one hand and flexed its fingers and wondered, as she had sometimes before, how this thing, this machine for gripping, this fleshy spider on the end of her arm, came to be hers, entirely at her command. Or did it have some little life of its own? She bent her finger and straightened it. The mystery was in the instant before it moved, the dividing moment between not moving and moving, when her intention took effect. It was like a wave breaking. If she could only find herself at the crest, she thought, she might find the secret of herself, that part of her that was really in charge." (p.33)

"Cecilia wondered, as she sometimes did when she met a man for the first time, if this was the one she was going to marry, and whether it was this particular moment she would remember for the rest of her life - with gratitude, or profound and particular regret." (p. 44)

"The cost of oblivious daydreaming was always this moment of return, the realignment with what had been before and now seemed a little worse. Her reverie, once rich in plausible details, had become a passing silliness before the hard mass of the actual. It was difficult to come back." (p. 72)

"Willing himself not to, he raised the book to his nostrils and inhaled. Dust, old paper, the scent of soap on his hands, but nothing of her. How had it crept up on him, this advanced stage of fetishizing the love object? ... He had spent three years drily studying the symptoms, which had seemed no more than literary conventions, and now, in solitude, like some ruffed and plumed courtier come to the edge of the forest to contemplate a discarded token, he was worshiping her traces - not a handkerchief, but fingerprints! - while he languished in his lady's scorn." (p. 79)

"The anticipation and dread he felt at seeing her was also a kind of sensual pleasure, and surrounding it, like an embrace, was a general elation - it might hurt, it was horribly inconvenient, no good might come of it, but he had found out for himself what it was to be in love, and it thrilled him." (p. 85)

"But how to do feelings? All very well to write, She felt sad, or describe what a sad person might do, but what of sadness itself, how was that put across so it could be felt in all its lowering immediacy? Even harder was the threat, or the confusion of feeling contradictory things." (p. 109)

"They were beyond the present, outside time, with no memories and no future. There was nothing but obliterating sensation, thrilling and swelling, and the sound of fabric on fabric and skin on fabric as their limbs slid across each other in this restless, sensuous wrestling. ... They moved closer, deeper and then, for seconds on end, everything stopped. Instead of an ecstatic frenzy, there was stillness. They were stilled not by the astonishing fact of arrival, but by an awed sense of return - they were face to face in the gloom, staring into what little they could see of each other's eyes, and now it was the impersonal that dropped away." (p. 128)

"Nothing as singular or as important had happened since the day of his birth. She returned his gaze, struck by the sense of her own transformation, and overwhelmed by the beauty in a face which a lifetime's habit had taught her to ignore. She whispered his name with the deliberation of a child trying out the distinct sounds. When he replied with her name, it sounded like a new word - the syllables remained the same, the meaning was different. Finally he spoke the three simple words that no amount of bad art or bad faith can ever quite cheapen. She repeated them, with exactly the same emphasis on the second word, as if she had been the one to say them first. He had no religious belief, but it was impossible not to think of an invisible presence or witness in the room, and that these words spoken aloud were like signatures on an unseen contract." (p. 129)

"No one else knew she had a knack of keeping still, without even a book on her lap, of moving gently through her thoughts, as one might explore a new garden. ... Fretting, concerned thought, reading, looking, wanting - all were to be avoided in favor of a slow drift of association, while the minutes accumulated like banked snow and the silence deepened around her." (p.141)

"Periodically, something slipped. Some everyday principle of continuity, the humdrum element that told him where he was in his own story, faded from his use, abandoning him to a waking dream in which there were thoughts, but no sense of who was having them. No responsibility, no memory of the hours before, no idea of what he was about, where he was going, what his plan was. And no curiosity about these matters." (p. 232)

"He laughed politely, though he must have thought me profoundly stupid. It is quite impossible these days to assume anything about people's educational level from the way they talk or dress or from their taste in music. Safest to treat everyone you meet as a distinguished intellectual." (p. 342)